Bryan Charles Wilson

Cellist. Composer. Educator. Author.

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Performance at Vincom Center for Contemporary Art

Ah, Vincom Center for Contemporary Art, the weekend that just kept on giving! So there I am, at the heart of it all, performing a solo concert under the banner of "connection." I dished out my own compositions, threw in some Saint Saens' swan serenade, and sprinkled the air with the charm of Mua Xuân đầu tiên. But that's just the beginning.

In the midst of my solo serenade, this delightful young girl steps up and paints the air with the beauty of Khat vọng mua Xuân. Not to be outdone, a young lad decides to breakdance during my kid-friendly tunes. And, as if choreographed by fate, professional dancers gracefully join the stage, turning The Swan into a dancefloor spectacle. Talk about an unplanned dance invasion!

Now, solo gigs are their own breed of special, but the real magic happens when collaboration enters the scene. Cue Đàn Đó, the dream team that turned our original compositions into the grand finale of the night. The audience couldn't get enough, and to cap it off, we invited everyone into a circle dance extravaganza. From the beats of Hava Nagila to the soulful strains of Trong Com, the crowd joined in this cultural symphony.

But what made the night truly extraordinary? My immediate and Vietnamese families were there, soaking in the unexpected dance-off, and, lo and behold, my parents flew in from the States to join the celebration. Dressed in Vietnamese áo dài, we all linked hands and swayed to the tunes of Hava Nagila – a scene that would've left my ten-year-old Hebrew school self in disbelief.

Life, as it turns out, is full of surprises. A special tip of the hat to my orchestrator-in-chief, the lovely Bui Tuyết Minh. Not only did she coordinate this delightful chaos, but she also played the MC extraordinaire, captivating the audience and adding the perfect touch to this whirlwind of a night. Cheers to the unpredictable dance of life!

Photos by Vincom Center for Contemporary Art

Intransience for Cello And Piano (feat. Bryan Charles Wilson)

One of my all time favorite people from college, the amazingly talented pianist and composer, West Troiano, wrote a hauntingly beautiful piece for me. I had such a great time helping bring his composition to life (not that it was that hard to do since it's such a cool piece).

Reflections on Online Improvisation Workshop For Strings

Since the pandemic started and everything got shut down, I have been running free Online Improvisation Workshops for String Players. With the release of my new books, String Jams, I wanted to give people a glimpse at what the book offered, but also to give them concrete steps they could use to practice improvisation. Let’s face it, I’m not a doctor, nurse, or grocery store worker fighting for the safety everyday out there. Nevertheless, I did want to give something back to help boost people’s morale and the only real skills I have are cello and teaching, so I thought it could at least be a drop of positivity in a seemingly endless stream of scary news.

I have done 3 workshops so far and have been blown away by the support from the participants. Essentially, I give everybody the sheet music for a piece from my Advanced String Jams book as well as the improvisation loop track that comes with it. I then outline about ten different ways that they can go about improvising such as doing nonstop improvisation, limiting note choices, leaving space, etc. Everything I’m saying is detailed in the beginning portion of both String Jams.

It really is humbling and inspiring to have a workshop with people from across the globe in one Zoom meeting. I’ve had participants from Finland, Vietnam, Australia, Brazil, USA, Germany, and more. This past workshop I had my grandfather attend. He’s a saxophone player and like I mention in the book, he’s the reason I started music and the inspiration behind creating these books. At the end of the lecture, he told a story about the first time he taught me how to improvise when I was around 9 or 10 years old. It was a story I hadn’t thought about in a long time and it was really special to have him remind me and the other attendees.

It’s been a really positive experience for me to run these workshops and connect with string players from across the world. It’s a very strange time and I doubt that live music gigs will return this year. Nevertheless, having the ability to connect with others virtually and offer something useful has been helpful in keeping me focussed and grounded.

I’m going to try to offer more workshops, concerts, collaborations, and music in the future and hopefully we will pass through this time safely.

Thank you all for the support.